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Colloquium on Rob Roy

Prof. David Hewitt and Prof. Peter Garside

Saturday 19th August 2017

Summary of the Talks:

The Colloquium explored multiple facets of Sir Walter Scott's novel. The event celebrated the bicentenary of Rob Roy's first publication and commemorated Scott’s birthday. The speakers, both involved in the Edinburgh Edition of the Waverley Novels, shared insights from their editorial work.


Summary of Key Points:

  1. Scott's Dual Impulses in the Novel: Peter Garside focused on how Rob Roy presents a balance of selfish and social motivations within its characters, particularly through Frank Osbaldistone. This exploration of mixed motives might reflect Scott's own struggles as a writer navigating between personal ambition and social responsibility, especially in the context of the novel’s publication.
  2. Publication Context: The novel was published at a time of financial strain for Scott. Garside highlighted how Scott's economic difficulties were mirrored in the narrative, notably through business dealings in the novel that represent larger societal forces, including commercial instability and personal risk.
  3. Thematic Exploration of Economics: David Hewitt focused on the social and economic context of Rob Roy. The novel is often seen as a commentary on the economic causes of the 1715 Jacobite Rising, with characters like Baillie Nicol Jarvie providing critiques of Highland society’s lack of economic opportunity. The financial crises in the novel reflect the broader political and economic instability of Britain at the time.
  4. First-Person Retrospective Narrative: The novel’s structure is built around Frank Osbaldistone's first-person retrospective narration, combining two points in time: the 1715 Jacobite Rising and Frank's 1763 reflections. This method serves to explore memory and its impact on understanding history, showcasing Scott's interest in how individuals perceive and interpret the past.
  5. Rob Roy as a Complex Figure: The title character, Rob Roy MacGregor, is depicted as a multifaceted figure: part outlaw, part folk hero, and an embodiment of the complexities of Highland identity. The novel’s portrayal of Rob Roy offers a nuanced view of his role as a victim of state oppression.
  6. Cultural Costs of Expansion: Hewitt emphasized the critique of capitalist expansion through Frank’s melancholic reflections. He argues that the growth of commerce and trade, especially in the wake of the Seven Years' War, had cultural costs, marginalizing groups like the Highlanders and dehumanizing them in the eyes of more "civilized" society.
  7. Afterlife of Rob Roy in Popular Culture: Garside discussed the novel’s lasting influence, particularly its adaptation into operas, dramas, and films. Isaac Pocock’s 1818 operatic adaptation was among the most notable, and the character of Rob Roy became iconic in Scottish popular culture. The influence extended into 20th-century films, like Walt Disney's Rob Roy, the Highland Rogue (1953) and the 1995 film starring Liam Neeson.


Interesting Points to Highlight:

  • Economic Critique: The novel is not just a historical romance; it also offers a critique of the economic systems that shaped British society, particularly the contrast between the Highland economy and the more commercial Lowlands.
  • The Melancholic Hero: Frank’s failure to mature and his depressive outlook might reflect the historical and cultural pressures of his time, as well as Scott’s own personal struggles during the novel’s creation.
  • The Reshaping of Rob Roy’s Legacy: The transformation of Rob Roy from a historical figure into a romanticized hero in various media adaptations is fascinating, particularly the shift in focus from the novel's complex narrative to simplified portrayals of his character.


The colloquium underscored Rob Roy's importance not just as a historical novel but as a reflection of the social, economic, and cultural concerns of early 19th-century Britain.

Download the [Transcript]

(Unfortunately due to a battery failure a 3 minute section of this video is missing)


Download the [Transcript]

Introduction by our Hon. Secretary, Louise Gardiner

Welcome to you all to today’s Colloquium on Sir Walter Scott’s sixth Waverley novel, Rob Roy, in this bi-centenary year of its original publication. This small comment alone makes us aware, yet again, of just how productive Sir Walter Scott was: only three years ago, we celebrated the bi-centenary of ‘Waverley’ - and now we are already at number six!

As you can see on the programme for today -  and on your tickets - this colloquium will be introduced jointly by Prof. David Hewitt and Prof. Peter Garside, and we could not possibly ask for two experts on Sir Walter Scott who would be better qualified to introduce Rob Roy to us.

Both, David Hewitt and Peter Garside have had long and distinguished academic careers researching, teaching and writing on 19th century English literature, with a particular emphasis on the works of Sir Walter Scott, David at the University of Aberdeen and Peter mainly at the University of Cardiff, although he has now been living and working in Edinburgh for quite a number of years. They each, of course, also pursued their own wider interests during this time, but eventually they both returned, very decidedly, to Scott.

And this brings me to the most important reason for us being so very fortunate to have David Hewitt and Peter Garside here today: their crucial involvement with the Edinburgh Edition of the Waverley novels. In fact, it was David Hewitt who initiated this monumental enterprise more than 30 years ago, brought together the team of 16 academics who were going to work on it, and acted as the series editor for the entire 30 volumes, which were gradually published over a period of just about 20 years, between 1993 and 2012. In addition to his role as series editor, David also personally co-edited four of the volumes, and is the sole editor of another two volumes, including, and you have no doubt guessed it, Rob Roy.

Similarly, Peter Garside also became so closely involved in the Edinburgh Edition that, while still a part-time professor of bibliography at the University of Cardiff, he, too, took on a very hands-on general editing role in this giant enterprise, and actually moved to Edinburgh to be closer to the team -  in addition to personally co-editing one of the volumes and being the sole editor of another three. One of these, interestingly, is Waverley to which, in my opinion, Rob Roy shows a number of interesting parallels - but we shall see ...

Finally, may I add that David Hewitt was the Edinburgh Sir Walter Scott Club’s president from 1987 to 1989, and with Peter Garside as its current chairman, we could not possibly be in better hands.

A very warm welcome to our two speakers for today!

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