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2001


Our President in 2001/2 was:

The Right Honourable Sir David Edward

He proposed the Toast to Sir Walter at our 92nd Annual Dinner on Friday 1st March 2002 in The Balmoral Hotel, Edinburgh

Read the text of his address here [bulletin] > [transcript]

Summary of the Speech:

Sir David Edward’s toast was a witty, deeply personal, and insightful tribute to Sir Walter Scott, focusing on Scott’s literary genius, historical insight, and enduring influence. It combined personal anecdotes, reflections on Scott’s works, and a discussion of his legal and political impact.


1. A ‘Scottish Superstition’ and His Journey Back to Scott

  • He humorously opened with a reference to The Bride of Lammermoor, saying that Scottish tales require a “tinge of superstition.”
  • While reading The Antiquary on a train to Luxembourg, he wondered about the Edinburgh Sir Walter Scott Club—only to find an invitation to become President waiting at home.
  • Scottish superstition made it impossible for him to refuse the role.

2. Stanley Baldwin’s 1930 Tribute to Scott

  • He quoted Stanley Baldwin, a former British Prime Minister, who called Scott the “gateway to poetry, history, and romance.”
  • Baldwin’s first love was Di Vernon (Rob Roy), and Scott’s novels instilled in him a belief in justice.
  • In contrast, Sir David humorously admitted that he was given the wrong book at the wrong age—being forced to read A Legend of Montrose at 12, which put him off Scott for ten years!

3. Rediscovering Scott and the Edinburgh Edition

  • His return to Scott came when he picked up The Antiquary as a young adult—he was instantly hooked.
  • As President, he made a commitment to read 11.5 Scott novels in 15 months, which he found immensely rewarding.
  • He praised the Edinburgh Edition for restoring vivid details and recommended the Penguin editions for ease of reading (especially in bed and on trains).

4. Scott’s Presence in Parliament House

  • Having spent 25 years working in Parliament House, he felt as if he had “met” Scott, whose presence looms large in Scotland’s legal world.
  • Scott’s statue sits informally in the Advocates’ Library, reflecting how his peers saw him—not as a grand figure, but as a lawyer they knew personally.
  • He quoted Lord Cockburn, who recalled Scott’s voice, laugh, limp, and storytelling, lamenting that they hadn’t cherished him enough while he was alive.

5. Scott’s Humour and the Legal World

  • Scott’s novels are filled with legal and Parliament House references, including a joke in St. Ronan’s Well, where Mrs. Dods reacts to news of a visiting Lord:
    “Maister Touchwood, it’s my mind he will only prove to be a Lord of Session!”
  • In The Heart of Midlothian, Scott pokes fun at lawyers reading novels in secret, suggesting they hid Scott’s books under legal tomes in their chambers.

6. Scott as a Defender of Scottish Institutions

  • Scott was deeply concerned about preserving Scottish institutions and feared Anglicisation.
  • He once broke into tears at the thought of Scotland losing its identity, saying:
    “Little by little, whatever your wishes may be, you will destroy and undermine, until nothing of what makes Scotland Scotland shall remain.”
  • He was not blindly conservative, however—he sided with reformers when he felt change was necessary.

7. Scott’s Psychological Insight in Fiction

  • Sir David highlighted Scott’s exceptional ability to understand human psychology, particularly in political and religious fanatics.
  • Cromwell’s self-doubt in Woodstock—Scott portrays him as both a powerful leader and a man haunted by his decisions.
  • Balfour of Burley’s zealotry in Old Mortality—a terrifying depiction of religious extremism, showing how faith could drive men to violence and madness.
  • Madge Wildfire in The Heart of Midlothian—her madness is poetic, and her songs (including Proud Maisie) reveal Scott’s skill in blending tragedy and humour.

8. Scott’s Influence on Scottish Humour

  • He compared Scott’s Cuddie Headrigg and Mause Headrigg (Old Mortality) with Compton Mackenzie’s Whisky Galore—suggesting that Scott pioneered Scottish humour in literature.
  • A line from Whisky Galore mirrors Mause Headrigg’s righteous but misplaced moralising—a sign of Scott’s lasting comedic influence.

9. The Timeless Joy of Scott’s Characters

  • He doesn’t reread Scott’s novels for the plot, but to revisit beloved characters:
  • Wandering Willie
  • Baillie Nicol Jarvie
  • Dandie Dinmont
  • Meg Merrilees
  • Mause and Cuddie Headrigg
  • Greenmantle
  • He admitted that Scott’s English-speaking heroes and heroines are sometimes “pretty limp” but argued this is true in Jane Austen and Dickens too!

10. Final Toast to Scott

  • He thanked the Club for rekindling his love for Scott, making him read more deeply than ever before.
  • He ended with genuine admiration and enthusiasm, inviting all to rise and toast the memory of Sir Walter Scott.


Interesting Points

  • Scott and Superstition: Sir David’s own “Scottish superstition” (reading The Antiquary and immediately getting a Club invitation) set a charming tone.
  • Scott’s Impact on the Law: His novels, speeches, and legal career preserved Scottish identity and shaped debates on reform.
  • Scott’s Psychological Depth: His portrayals of Cromwell, Burley, and Madge Wildfire reveal a deep understanding of fanaticism and human nature.
  • Scott’s Humour: He influenced later Scottish humorists, including Compton Mackenzie.
  • Scott’s Re-readability: His characters feel like old friends, making his novels timeless.


Final Thoughts

Sir David Edward’s toast was a brilliant mix of humour, personal reflection, and scholarly insight. His deep affection for Scott was clear, and his speech served as both a tribute to Scott’s genius and an encouragement to rediscover his works.

 

Read the text of her address here [bulletin] > [transcript]

David Edward [wikipedia] 

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